{"id":38675,"date":"2026-03-27T12:17:00","date_gmt":"2026-03-27T11:17:00","guid":{"rendered":"https:\/\/www.alatel.it\/alatel\/_sys-nohomepageterritorio\/mercoledidellarte-2025-copy\/"},"modified":"2026-04-10T12:24:22","modified_gmt":"2026-04-10T10:24:22","slug":"mercoledidellarte-2026","status":"publish","type":"post","link":"https:\/\/www.alatel.it\/alatel\/_sys-nohomepageterritorio\/mercoledidellarte-2026\/","title":{"rendered":"Mercoled\u00ec dell’Arte PROGRAMMA 2026\/2027"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
DATA<\/strong><\/td>\n\u00a0<\/b>ARGOMENTO<\/strong><\/td>\n\u00a0 \u00a0 \u00a0RELATORE<\/strong><\/td>\nRegistrazione<\/strong><\/td>\n<\/tr>\n
18.3\u00a0<\/strong><\/td>\nR. TAMBONE<\/strong><\/td>\nSIMONE MARTINI-ELEGANZA E RAFFINATEZZA NELLE CORTI ITALANE<\/strong>I<\/strong><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
25.3<\/strong><\/td>\nR. TAMBONE<\/strong><\/td>\nAMBROGIO LORENZETTI-LA SALA DEI NOVE-SIENA<\/strong><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
8.4<\/strong><\/td>\nM. LATINI\u00a0\u00a0<\/strong><\/td>\nGIOTTO E LA CAPPELLA DEGLI SCROVEGNI<\/strong><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
DATA<\/strong><\/td>\nPERIODO<\/strong><\/td>\nARGOMENTO<\/strong><\/td>\nRELATORE<\/strong><\/td>\n<\/tr>\n
22.4<\/strong><\/td>\nRINASCIMENTO<\/strong><\/td>\nI BELLINI E LA VENEZIA DEL PRIMO RINASCIMENTO<\/strong><\/td>\nM. LATINI<\/strong><\/td>\n<\/tr>\n
6.5<\/strong><\/td>\nRINASCIMENTO<\/strong><\/td>\nGIORGIONE E CARPACCIO<\/strong><\/td>\nM. LATINI<\/strong><\/td>\n<\/tr>\n
20.5<\/strong><\/td>\nCINQUECENTO<\/strong><\/td>\nMICHELANGELO-SCULTORE ED ARCHITETTO<\/strong><\/td>\nR. TAMBONE<\/strong><\/td>\n<\/tr>\n
3.6<\/strong><\/td>\nCINQUECENTO<\/strong><\/td>\nMICHELANGELO-LA CAPPELLA SISTINA E LA CAPPELLA PAOLINA<\/strong><\/td>\nR. TAMBONE<\/strong><\/td>\n<\/tr>\n
17.6<\/strong><\/td>\nCINQUECENTO<\/strong><\/td>\nPALLADIO-L\u2019ARCHITETTO DELL\u2019ARMONIA<\/strong><\/td>\nM. LATINI<\/strong><\/td>\n<\/tr>\n
16.9<\/strong><\/td>\nOTTOCENTO<\/strong><\/td>\nLA SCUOLA NAPOLETANA-PRIMA PARTE<\/strong><\/td>\nESPOSITO\/AMMATURO<\/strong><\/td>\n<\/tr>\n
30.9<\/strong><\/td>\nOTTOCENTO<\/strong><\/td>\nLA SCUOLA NAPOLETANA-SECONDAPARTE<\/strong><\/td>\nESPOSITO\/AMMATURO<\/strong><\/td>\n<\/tr>\n
14.10<\/strong><\/td>\nOTTOCENTO<\/strong><\/td>\nCANOVA SCULTORE E PITTORE<\/strong><\/td>\nM.LATINI<\/strong><\/td>\n<\/tr>\n
28.10<\/strong><\/td>\nSETTECENTO<\/strong><\/td>\nLA REGGIA DI CASERTA<\/strong><\/td>\nESPOSITO\/AMMATURO<\/strong><\/td>\n<\/tr>\n
11.11<\/strong><\/td>\nNOVECENTO<\/strong><\/td>\nMODIGLIANI-GENIO E SREGOLATEZZA<\/strong><\/td>\nR. TAMBONE <\/strong><\/td>\n<\/tr>\n
25.11<\/strong><\/td>\nNOVECENTO<\/strong><\/td>\nG.de CHIRICO-LA PITTURA METAFISICA<\/strong><\/td>\nESPOSITO\/AMMATURO<\/strong><\/p>\n

\u00a0<\/strong><\/td>\n<\/tr>\n

9.12<\/strong><\/td>\nNOVECENTO<\/strong><\/td>\nL. FONTANA DAL PLASTICISMO AL TAGLIO <\/strong><\/td>\nR. TAMBONE<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PROGRAMMA 2027 (PRIMO SEMESTRE)<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
DATA<\/strong><\/td>\nTEMA<\/strong><\/td>\nARGOMENTO<\/strong><\/td>\nRELATORE<\/strong><\/td>\n<\/tr>\n
27.1<\/strong><\/td>\nL\u2019ARTE CUSTODITA<\/strong><\/td>\nIL COLLEZIONISMO MEDICEO<\/strong><\/td>\nR. TAMBONE<\/strong><\/td>\n<\/tr>\n
10.2<\/strong><\/td>\nL\u2019ARTE CUSTODITA<\/strong><\/td>\nMUSEO ARCHEOLOGICO DI NAPOLI<\/strong><\/td>\nESPOSITO\/AMMATURO<\/strong><\/td>\n<\/tr>\n
24.2<\/strong><\/td>\nL\u2019ARTE CUSTODITA<\/strong><\/td>\nLE GALLERIE DELL\u2019ACCADEMIA DI VENEZIA<\/strong><\/td>\nM. LATINI<\/strong><\/td>\n<\/tr>\n
10.3<\/strong><\/td>\nL\u2019ARTE CUSTODITA<\/strong><\/td>\nLA PINACOTECA DI BRERA<\/strong><\/td>\nt.b.d.<\/strong><\/td>\n<\/tr>\n
17.3<\/strong><\/td>\nIL TEATRO<\/strong><\/td>\nLUOGO DI SINTESI CULTURALE<\/strong><\/td>\nt.b.d.<\/strong><\/td>\n<\/tr>\n
24.3<\/strong><\/td>\nIL TEATRO<\/strong><\/td>\nDALLA CAMERATA DEI BARDI AL TEATRO DELLA PERGOLA<\/strong><\/td>\nR. TAMBONE<\/strong><\/td>\n<\/tr>\n
7.4<\/strong><\/td>\nIL TEATRO<\/strong><\/td>\nIL SAN CARLO DI NAPOLI<\/strong><\/td>\nESPOSITO\/AMMATURO<\/strong><\/td>\n<\/tr>\n
14.4<\/strong><\/td>\nIL TEATRO<\/strong><\/td>\nLA FENICE DI VENEZIA<\/strong><\/td>\nM. LATINI.<\/strong><\/p>\n

\u00a0<\/strong><\/td>\n<\/tr>\n

28.4<\/strong><\/td>\nIL TEATRO<\/strong><\/td>\nLA SCALA DI MILANO<\/strong><\/td>\nt.b.d.<\/strong><\/td>\n<\/tr>\n
12.5<\/strong><\/td>\nLA SETTIMA ARTE<\/strong><\/td>\nCINEMA ARTE E PITTURA<\/strong><\/td>\nR. TAMBONE<\/strong><\/td>\n<\/tr>\n
26.5<\/strong><\/td>\nLA SETTIMA ARTE<\/strong><\/td>\nFOTOGRAFIA: t.b.d.<\/strong><\/td>\nESPOSITO\/AMMATURO<\/strong><\/td>\n<\/tr>\n
9.6<\/strong><\/td>\nLA SETTIMA ARTE<\/strong><\/td>\nCINEMA: COME CI RACCONTA <\/strong><\/td>\nESPOSITO\/AMMATURO<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

DATA \u00a0ARGOMENTO \u00a0 \u00a0 \u00a0RELATORE Registrazione 18.3\u00a0 R. TAMBONE SIMONE MARTINI-ELEGANZA…<\/p>\n","protected":false},"author":27,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[209],"tags":[],"publishpress_future_action":{"enabled":false,"date":"1970-01-01 01:00:00","action":"","terms":[],"taxonomy":"","browser_timezone_offset":0},"_links":{"self":[{"href":"https:\/\/www.alatel.it\/alatel\/wp-json\/wp\/v2\/posts\/38675"}],"collection":[{"href":"https:\/\/www.alatel.it\/alatel\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.alatel.it\/alatel\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.alatel.it\/alatel\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/www.alatel.it\/alatel\/wp-json\/wp\/v2\/comments?post=38675"}],"version-history":[{"count":10,"href":"https:\/\/www.alatel.it\/alatel\/wp-json\/wp\/v2\/posts\/38675\/revisions"}],"predecessor-version":[{"id":38944,"href":"https:\/\/www.alatel.it\/alatel\/wp-json\/wp\/v2\/posts\/38675\/revisions\/38944"}],"wp:attachment":[{"href":"https:\/\/www.alatel.it\/alatel\/wp-json\/wp\/v2\/media?parent=38675"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.alatel.it\/alatel\/wp-json\/wp\/v2\/categories?post=38675"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.alatel.it\/alatel\/wp-json\/wp\/v2\/tags?post=38675"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}